The origins of Power House: Head High aka Shed selects
We’re talking POWER with Head High aka Shed.
René Pawlowitz is arguably one of the most influential figures in German Techno. For years he has worked tirelessly released music on the likes of Ostgut Ton, 50 Weapons, Monkeytown and Delsin. He is a singular producer who has helped galvanise the sound and style of Berlin working closely alongside counterparts and playing a key role in the progression of places and spaces such as Berghain and Hard Wax.
His multifaceted approach to music has always been exciting and dynamic – he is a producer who has used aliases throughout his career to represent different means of expression, styles and influences. A brief look on Discogs will demonstrate the versatile persona of an artist who doesn’t like to limit himself to one particular niche or genre.
Most recently René has returned to his Head High moniker – a persona which allows him to bang the box producing peak time rave classics which blur the lines between Techno and House. Hence… Power House. This has become the imprint through which René has released most prominently of late, an outlet which truly represents his own musical lineage and connects him to the original records and moments which cemented his love for dance music.
From a personal perspective I can say that I perhaps own more Shed/ Head High/ Power House records than any other so it is with great excitement that we invite René to explain the roots of the concept as he picks records which brought life to the project.
“I would like to show you where my Power House sound is coming from. This playlist contains mostly tracks from the beginning when I started to buy records and going to parties. These tracks are not only a pool of inspiration for me but also a ride into my history!”
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That is the track that formed my vision of a “power-house bass drum”. Nice 909 kick doubled with a drum sample. This track is simply killer. A bit cheesy in the middle – the way I like it.
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