Moody House and Vocals with Ploy
Ploy doesn’t need any tactics to get people to listen to his music. It speaks for itself.
Real name Sam Smith (not the pop singer), Sam’s built a reputation for his beautifully chaotic dance floor workouts that match swung drum rhythms, heavy bass frequencies and chopped vocal samples.
These acclaimed releases have come via the most reputed labels for these kinds of sonics: namely Hessle Audio, Timedance and Hemlock, not to mention an under the radar debut LP for L.I.E.S. in 2020.
Deaf Test is his newest venture. Inspired in name by Sam being deaf in one ear since his childhood, it covers both his label release and club night activities. Launching last November with his three-track EP, Rayhana, the label will predominantly be a space for his own music and the odd collaboration, while the club night will feature sets from friends and contemporaries but will remain under-wraps until the night.
It’s the spiritual home of his night, Venue MOT in Bermondsey, which is the inspiration behind the latest Deaf Test release, Unit 18. Made up of three tracks for the rave, Sam explores sound system culture by crafting a trio of different sonic takes, each intended to be played at a different point of the night at the venue.
Now when he’s not making dance floor slammers, Sam appreciates a good vocal house cut. Not necessarily your arms in the air, eyes-closed euphoria kinda vocal house, but those sleazy, moody groovers that’ll keep the club rolling into the early hours. Below he gives us a run down of some stone cold favourites, from Gospel tech house bangers to jazzy house afters business and a darker take on one of the queens of vocal house, Norma Jean Bell.
This is the selection that kicked off the idea for moody vocal house, it’s probably my favorite type of house. The eeriness in the melodies compliment the soul vocals. On the whole vocal house can be too uplifting / happy for me to want to hear in clubs, it’s not really the aesthetic I like in dance music these days. Also it attracts too many Brits in bucket hats wafting. However when the tone gets a bit dark and moody but still sexy and rolling, then that’s the sweet spot for me.
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