Moody House and Vocals with Ploy

 
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Music
 

Ploy doesn’t need any tactics to get people to listen to his music. It speaks for itself.

Real name Sam Smith (not the pop singer), Sam’s built a reputation for his beautifully chaotic dance floor workouts that match swung drum rhythms, heavy bass frequencies and chopped vocal samples.

These acclaimed releases have come via the most reputed labels for these kinds of sonics: namely Hessle Audio, Timedance and Hemlock, not to mention an under the radar debut LP for L.I.E.S. in 2020.

 

Deaf Test is his newest venture. Inspired in name by Sam being deaf in one ear since his childhood, it covers both his label release and club night activities. Launching last November with his three-track EP, Rayhana, the label will predominantly be a space for his own music and the odd collaboration, while the club night will feature sets from friends and contemporaries but will remain under-wraps until the night.

It’s the spiritual home of his night, Venue MOT in Bermondsey, which is the inspiration behind the latest Deaf Test release, Unit 18. Made up of three tracks for the rave, Sam explores sound system culture by crafting a trio of different sonic takes, each intended to be played at a different point of the night at the venue.

Now when he’s not making dance floor slammers, Sam appreciates a good vocal house cut. Not necessarily your arms in the air, eyes-closed euphoria kinda vocal house, but those sleazy, moody groovers that’ll keep the club rolling into the early hours. Below he gives us a run down of some stone cold favourites, from Gospel tech house bangers to jazzy house afters business and a darker take on one of the queens of vocal house, Norma Jean Bell.

Shauna Solomon - I Wanna Be (Ricky Montanari and Stefano Greppi Deep Vox Mix)

This is the selection that kicked off the idea for moody vocal house, it’s probably my favorite type of house. The eeriness in the melodies compliment the soul vocals. On the whole vocal house can be too uplifting / happy for me to want to hear in clubs, it’s not really the aesthetic I like in dance music these days. Also it attracts too many Brits in bucket hats wafting. However when the tone gets a bit dark and moody but still sexy and rolling, then that’s the sweet spot for me.

  • Shauna Solomon - I Wanna Be (Ricky Montanari and Stefano Greppi Deep Vox Mix)

    This is the selection that kicked off the idea for moody vocal house, it’s probably my favorite type of house. The eeriness in the melodies compliment the soul vocals. On the whole vocal house can be too uplifting / happy for me to want to hear in clubs, it’s not really the aesthetic I like in dance music these days. Also it attracts too many Brits in bucket hats wafting. However when the tone gets a bit dark and moody but still sexy and rolling, then that’s the sweet spot for me.

  • Range of Motion feat. Tanja Dixon - What U Mean To Me (Dub Mix)

    This is an all time favourite for me. I don’t think I’ll ever get bored of it. My best mate Kit loves it too, I’d say it’s our tune. It’s just about moody enough but slightly uplifting with a perfect use of guitar. I’m a huge fan of guitars in dance music when it’s done right, that’s another category in itself though. Hard to put my finger on the vibe as it’s laid back but has this burning intensity, progresses perfectly and creates a real moment when the beat comes back towards the end. I hope one day I’ll find the perfect setting to play this.

  • Karen Pollack - You Can't Touch Me (You Can't Hurt Me) MURK Remix

    I love Miami and once I’d visited all of this old Murk stuff, it made a lot more sense. Lots of their music feels quite sleezey, hot and sluggish but oozing groove. This is one of my favourite remixes from them which I used to play a lot when DJing with Bruce years ago at university. Holds lots of great memories for me, it nails the moody vocal house category and is a big singalong favourite.

  • Kimbu Kimra - Raise The Dead (Original)

    I think I heard brawther play this at a secretsundaze about a decade ago, or something along those lines. Very subtle changes throughout and a perfect use of the vocal. It looks like there was pretty much nothing else made under this alias which is a crying shame / makes it more of a gem. Top comment from Biff 69 nails it. Definitely a goosebump raiser, I want to hear it on a beach somewhere hot.

    Biff 69
    3 years ago (edited)
    I’ve not listened to this for 10 years but it still raises goosebumps.

  • Candi Staton - Hallelujah Anyway (Larse Vocal)

    I’m not religious but if god was a DJ he (or she) would definitely rinse this one. It’s very simple but executed well and just on the right side of cheese in the production. Pads/ bass and melody do just enough to uplift the vocals because they’re the excellence of the tune really. I think it’s one of the few gospel tech house tunes I like, Floorplan did some bangers also but this ones a bit more understated. Makes me want to play it in the car late at night cruising around a city somewhere.

  • Murk Pres. Funky Green Dogs - Reach For Me (Original Mix)

    More Murk as I think they were kings of this genre. Irresistibly groovy, more sexy than moody but it had to make the list. Quite mad how much music these guys made tbh, a fair bit of shite towards the end but you can’t hold it against them due to all the hits.

  • Norma Jean Bell – Do You Want To Party? Kenny dixon jr mix

    Norma Jean Bell has to make the list as she’s probably the voice behind some of the best vocal house tunes. The kenny dixon jr remix of this makes it a more moody version of the original.

  • Narra Mine (Armand Van Helden's East Coast Mix) - Genaside II

    Less rowdy and a little more moody than the West Coast mix. Ravey without being cliche with a bumpy groove and an infectious bassline. There aren’t many records from 1997 that I’d still play now alongside contemporary productions but this is an exception.

  • Virus In Sinus E Minor (Original Mix)

    Pretty much all the tension and dynamics that make this tune great come from the vocal and a bit from the organ. It’s 12 minutes and doesn’t feel like it’s too long at any point, testament to when a minimal tech house tune is executed well. Listening to it now is making me want to buy a bucket hat and drink a cocktail. More church vibes from the organ and preachy style vocals. This is probably the most uplifting out of the bunch but still moody enough to make the list. D’Angelo-esque style in the vocals too which makes it a winner for me.

  • Rise Ashen - Second Wind (Rise Ashen's Original Mix)

    When the top /only comment is ‘yes lad’ followed by a series of emojis including the football indicates that maybe a bucket hat Brit wafter might be onto this tune. Undeniably though it is magnificent so who can blame him. Perfect after hours jazzy vocal number. YES LAD