Zeynep Erbay: The Ransom Note Mix

5 Minute Read

Music

An hour of cosmic house music in fine style.

Zeynep Erbay is a Turkish producer and dj who has released music on the likes of Soul Clap Records, Fool’s Gold, Nu Northern Soul and Exploited. She tends to blur the lines between traditional house music and that steeped in a more italo lead, cosmic influence.

As a DJ she is commanding, her taste informs sets which tend to weave and wander, telling a broader story rather which soundtracks long nights on the dancefloor.

They are often highly energetic, yet packed with feel good influence.

Now based in London, she has worked tirelessly, cementing herself as a key figure in the eclectic underground.

Listen and read the interview below:

Who are you, where are you and what are you?

I’m Zeynep, a DJ and producer, classically trained pianist originally from Istanbul, now based in London. I’m an explorer, always blending experiences and sounds through music. Constantly inspired by different places and moments, and searching for new ways to express myself through beats and rhythms.

What does your music sound like? Can you draw what you think it sounds like for us (an image from the old internet is acceptable)?

My music is like a journey that shifts between hypnotic, percussive rhythms around the world and dreamy, immersive vibes. It’s also a mix of classic house, disco, syncopated beats, and a bit of leftfield experimentation. Can I say eclectic? 🙂

Where was the mix recorded?

The mix was recorded in Bodrum, in a sunny and green atmosphere 🙂

What would be the ideal setting to listen to the mix?

The ideal setting to listen to the mix would be somewhere with a good energy, maybe a lively outdoor space or a place with great sound 🙂

What should we be wearing?

It could be something stylish and comfy, sexy

What would be your dream setting to record a mix: Location/system/format?

This would be in a small, intimate club or an open terrace with a great view, or even a secret forest—somewhere that’s off the beaten path and feels special. The atmosphere and connection to the space would be everything. I’d want a system that brings out the full depth of the sound, and a live recording would capture that perfect energy, with the crowd and the environment feeding into the vibe.

Which track in the mix is your current favourite?

All of them are really favourites, but I could pick Manuel Darquart 89 When Things Were Fine (Demi Riquísimo Remix)

What’s your favourite recorded mix of all time?

Oh, there’s definitely not just one! But I absolutely loved Gero & Masalo’s set at Dekmantel Ten—such a dope mix and vision.

If you could go back to back with any DJ from throughout history, who would it be and why?

If I could go back-to-back with any DJ from history, it would definitely be Larry Levan. Not only for his genius behind the decks but also to experience the energy of the early New York scene—how the parties at Paradise Garage felt, the raw energy, and the sense of community that surrounded it.

What was your first DJ set up at home and what is it now?

I first started with CDJ 1000 MK2s back in the radio days, with a Technics on the side and a DJM 400 mixer. Now that I’ve just moved to London, I’m arranging a new setup with Technics and CDJs, but still deciding between a Xone or a rotary mixer. :)) Hard times making a decision on this :)))

What’s more important, the track you start on or the track you end on?

The first one pulls you in, the last one makes you remember , but it’s also all about the journey in between.

What were the first and last records you bought?

When I was really young at the conservatory studying classical piano, I bought a lot of classical records. But I can’t forget Buckshot LeFonque – Another Day—that one stands out. As for one of the last records I bought, it’s CIEL & Ali Berger – Damn Skippy! from Phonica.

If this mix was an edible thing, what would it taste like?

Like a sizzling plate of mezze—spicy, tangy, with crispy surprises

If it was an animal what would it be?

Chameleon

One record in your collection that is impossible to mix into anything?

It’s a record I picked up at a second-hand shop in Istanbul—an old African unknown record with syncopated rhythms that create certain grooves for a while, but then change so unexpectedly that it’s impossible to mix. I’ve never found a way to blend it, but it’s still one of those treasures in my collection.

Upcoming in the world of…

I’m working on a new remix for Soul Clap featuring Egyptian Lover, and I’m almost done with it—it’s been so much fun to work on! I also have a new single in the works for Exploited, which I’m looking forward to finishing soon. On top of that, I’m creating a new EP with a unique concept and a story behind it, so I’m deep into crafting that narrative. Last but not least, I’ve got a few more singles I’m finalizing that will be coming your way soon. Lots to look forward to!

Anything else we need to discuss?

I think we are good ! Thank you !