Infinite Isolation: a playlist by Stromboli
Experimental Bologna-based musician & multi-instrumentalist Nico Pasquini aka Stromboli compiles a playlist of ‘deep, healing’ isolationist sounds, in the wake of his impressive latest album ‘Drang’, taking us through inspiring masterworks by the likes of Throbbing Gristle, Ike Yard, Pan Sonic, Jefre Cantu-Ledesma, Alex Zhang Hungtai, Laurel Halo & more.
Stromboli, the project of Bologna-based musician & multi-instrumentalist Nico Pasquini, is the namesake of an island in the Tyrrhenian Sea, situated off the north coast of Sicily, home to one of the most active volcanoes in the world. With 2000+ years of sustained volcanic activity, the type of continual eruptions that spew forth on Mt. Stromboli have even been given their own scientific classification; ‘Strombolian’, eruptions often recognized for their longevity. Moving from the geological to the existential, Roberto Rossellini’s 1950 film, set on Stromboli and named after the island, stars an alienated Ingrid Bergman, and forms part of Rossellini’s so called ‘Solitude Trilogy’.
The Stromboli project can certainly be aligned with such potent associations, as a vehicle for ambient soundscapes, granular noise, and fulminating industrial music imbued with the tension and turbulence of elemental landscapes and dramatic interior worlds. Since Pasquini’s entry point in 2015, with the neo-noir noise of his self-titled debut (the second ever release on the cult label Maple Death Records), Stromboli has moved from the tape machine experiments and insomniac electronics of ‘Volume Uno’ to the scintillating industrial spectres of ‘Ghosting’, and into the melancholic modular synth movements of ‘Exiles’, an EP released in 2021. Forceful and hypnotic, blistering and dreamlike, unremittingly dark yet often radiant and transcendent, the output of Stromboli makes for rewarding listening, a sound signature as volatile yet well-defined as the volcanic summit with which the moniker shares its name.
On the latest Stromboli album ‘Drang’, Pasquini addresses ideas centred on posthumanism, making entrancing electronic music that falls somewhere between the sub-zero asceticism of Mika Vainio / Pan Sonic, the programmed punk reductionism of Martin Rev / Suicide and Ike Yard, the sleek and splintered techno of Karl O’Connor aka Regis / Downwards (Pasquini’s home studio also shares its name with O’Connor’s influential label), and the oblique rhythms and evanescing ambient mirages of Actress and Pendant / Huerco S.
Given the continued distinction of the project, and the high calibre of what the Stromboli project conjures on ‘Drang’, we thought we’d check in with Nico to see what sounds inspire his work under the pseudonym, and in response, he’s furnished us with a playlist of music for an infinite, atemporal cosmos, where isolation is the abiding theme. Nothing too heavy then.
Describing these tracks as influential to him during the recording of ‘Drang’, Nico expands on the coordinates of his playlist, defining what he’s compiled as a soundtrack for moments of ‘deep, healing isolation’. Consider these ‘Strombolian’ sounds that have a timeless glow to them, not for the tortured soul-searching solitude of a Rossellini protagonist, but for when seclusion proves restorative. In space no one can hear your ennui, and in this case, that’s golden.
Check out ‘Tropico caustico’, one of the many highlights from ‘Drang’, then dive into the playlist below.
Photos by Giulia Mazza
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From the soundtrack album for the 1993 Norwegian film ‘Insomnia’, directed by Erik Skjoldbjearg, ‘Proem’ is a tonally dark ambient piece interspersed with deep electronic pulsation. The layers of ambient noise lead me into a hypnotic state that feels warm and enveloping.
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